![]() A similar effort was “Andre Previn and Friends Play Show Boat.” Along with Shelly Manne, he recorded several jazz albums, the best selling of which was “My Fair Lady,” an interpretation of the Lerner and Loewe score. ![]() Previn’s score for 1960’s “The Subterraneans” reveled in his passion for jazz, which he had been recording and playing in clubs for almost 15 years, even forming a combo with Red Mitchell and Frank Kapp. Polifax - Spy.” His final score was for 1980’s Paul Simon movie “One Trick Pony,” though he conducted for “Six Weeks” two years later. Chips,” “Catch 22,” “The Music Lovers,” ‘Valley of the Dolls” and “Mrs. In addition, he wrote songs and scores for such ’50s films as “Bad Day at Black Rock,” “Designing Women” and “Hot Summer Nights.” In the ’60s and ’70s, he wrote scores for “Elmer Gantry,” “One, Two, Three,” “Long Day’s Journey Into Night,” “Kiss Me, Stupid,” “Inside Daisy Clover,” “The Fortune Cookie” and “Rollerball.” Previn contributed songs and music to “The Swinger,” “Thoroughly Modern Millie,” “Paint Your Wagon,” “Goodbye Mr. Previn composed original scores for the musical “It’s Always Fair Weather” in 1955 as well as part of the score for Gene Kelly’s experimental 1956 film “Invitation to the Dance.” Resuming his career in 1952, he adapted such stage musicals as “Kiss Me Kate,” “Kismet,” “Silk Stockings” and “Bells Are Ringing” for the big screen. During his military stint he wrote arrangements for the Sixth Army band and played in San Francisco jazz spots. It was, however, good enough to win him a contract as a composer-conductor at MGM, a career that was interrupted by the draft in 1950. In 1949 he was given his first original score assignment, “The Sun Comes Up,” a Lassie picture, about which he recalled, “I thought it was easy, but I have since put myself through the wringer of watching it on a television rerun, and it’s the most inept score you ever heard.”
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